China Oil Painting Reproductions

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Edgar Degas Melancholy oil painting reproduction


Edgar Degas

Melancholy

1874 7 x 10in (19 x 25cm) Phillips Collection, Washington DC
Painting ID::  844
 

 

Domenico Fetti Melancholy oil painting reproduction


Domenico Fetti

Melancholy

mk86 c.1620 Oil on canvas 168x128cm Paris,Musee National du Louvre
Painting ID::  33582
 

 

Domenico Fetti Melancholy oil painting reproduction


Domenico Fetti

Melancholy

mk156 c.1620 Oil on canvas 171x128cm
Painting ID::  40424
 

 

Marie Bracquemond melancholy oil painting reproduction


Marie Bracquemond

melancholy

mk247 1801,oil on canvas,51.125x64.875 in,130x165 cm,musee de picardie,amiens,france
Painting ID::  56173
 

 

Constance Marie Charpentier Melancholy oil painting reproduction


Constance Marie Charpentier

Melancholy

1801 Oil on canvas 130 X 165 cm (51.18 X 64.96 in) cjr
Painting ID::  75163
 

 

Constance Marie Charpentier Melancholy oil painting reproduction


Constance Marie Charpentier

Melancholy

Title Melancholy Date 1801 Medium Oil on canvas Dimensions 130 ?? 165 cm (51.2 ?? 65 in) cyf
Painting ID::  76996
 

 

Domenico Fetti Melancholy oil painting reproduction


Domenico Fetti

Melancholy

Date ca. 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cjr
Painting ID::  83752
 

 

Domenico Fetti Melancholy oil painting reproduction


Domenico Fetti

Melancholy

1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf
Painting ID::  87669
 

 

Domenico Fetti
Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
Melancholy
1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf

        
   
 

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